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Lens Comparison

Our "Lens Comparison" was shot at our Hollywood location by cinematographer Idan Menin. Idan used our Arri Alexa Plus 4:3 rated at 800ISO and 4400 Kelvin, all lenses at a T4/5.6 split and the lighting was generously provided by Arri's Illumination Dynamics. The lenses chosen were based on availability.

Anamorphic Primes

50mm
100mm
Cooke
Hawk V
Hawk V Lite (55 & 110)
Kowa
Todd AO (55)
Zeiss Master

Master Anamorphic Flares

Images for flares captured with an Alexa Plus 4:3, ISO: 800, Gamma: Rec 709 and shot at T2.8
50mm
100mm
No Flares
Front Only
Rear Only
Front & Rear

Anamorphic Zooms

50mm
100mm
Angenieux Optimo 56-152
Hawk V Plus 45-90

Spherical Primes

50mm
75mm
100mm
Clairmont LS (85)
Cooke Panchro
Cooke S4
Cooke Mini S4 Coated
Cooke Mini S4 Uncoated
Super Baltar
Zeiss Master Primes
Zeiss Super Speeds
Zeiss Ultra Primes

Spherical Zooms

25mm
50mm
75mm
Angenieux Optimo 24-290
Angenieux Optimo 24-290 Uncoated
Canon 14.5-60
Century 28-70 Uncoated
Fujinon Alura 30-80